Photomanipulation 3rd place winner

Weng’s current digital practice of photography is realised on a large scale in his Giclee fine art prints, in which this notion is expressed using the multiple-perspective compositions of figures and landscapes derived from his early Chinese ink painting. The idea raises a number of surreal issues as well as dramatic boundaries in the theatrical space. As kind of ‘wonderlands’, he combines the visual styles of narrative and non-narrative that straddle the modernity of Eastern and Western paintings and photography, into a body of work using digital montage, manipulation and cinematography.

Chinese Culture University - VINCI WENG Studio for Digital Fine Art.
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