This project has focused on the research and photography of sites of historical and cultural interest in the United Kingdom. Many of the locations are forgotten or ignored now, even though many are Scheduled Ancient Monuments.
Some sites are obvious but others have little or no evidence of their previous use. Sometimes they are covered in woodland or scrub and often the banks, ditches or small depressions on the ground are the only clues to indicate human activity. These locations include Tudor iron forges, brick kilns, burial mounds, furnace ponds, flint mines, Iron-age hill forts, battlefields, industrial areas and Neolithic rock shelters. These are places of work, of industry and security, places of learning and community. These places were noisy, dirty, teeming with life and knowledge. They are now silent, punctuated by nature and inhabited by a diverse mixture of wildlife.
For this work I used a 5x4 view camera, recording the images on old glass plates. The plates were bought at auctions, camera fairs and markets and can be up to 80 years old. As such it is impossible to tell how much damage there is to the emulsion until the plate is actually developed. Results can be unpredictable with random damage and spotting often appearing in the negatives.
amateur category
Lost Heritage (Series)
DESCRIPTION
AUTHOR
Born 1967
I worked as an assistant to several advertising and editorial photographers in the early 1990’s and was a member of the North Star artists’ co-operative in Brighton from 1994 until 2010 when I moved to Heathfield in East Sussex and created a darkroom at home. I have also worked in nature conservation for over 20 years.
I enjoy working on a project or series of images based on place or elements of landscape – often looking for subtle signs of human interaction with the natural world.
Walking with a camera, returning to favoured locations and observing change over time is an important part of my practice. Alongside my photographic work, I also work in nature conservation which helps inform and inspire my photography. I am interested in geography, ecology, archaeology, history, mapping and landscapes and draw upon these disciplines to inspire my work.
Awards
Neutral Density photography awards 2015 – Second place - Fine art landscape.
Neutral Density photography awards 2016 – Honourable mention
Monovisions photography awards 2017 - Honourable mention
FAPA 16/17 Nominee fine art
FAPA 19/20 Nominee fine art
FAPA 20/21 Nominee fine art
I worked as an assistant to several advertising and editorial photographers in the early 1990’s and was a member of the North Star artists’ co-operative in Brighton from 1994 until 2010 when I moved to Heathfield in East Sussex and created a darkroom at home. I have also worked in nature conservation for over 20 years.
I enjoy working on a project or series of images based on place or elements of landscape – often looking for subtle signs of human interaction with the natural world.
Walking with a camera, returning to favoured locations and observing change over time is an important part of my practice. Alongside my photographic work, I also work in nature conservation which helps inform and inspire my photography. I am interested in geography, ecology, archaeology, history, mapping and landscapes and draw upon these disciplines to inspire my work.
Awards
Neutral Density photography awards 2015 – Second place - Fine art landscape.
Neutral Density photography awards 2016 – Honourable mention
Monovisions photography awards 2017 - Honourable mention
FAPA 16/17 Nominee fine art
FAPA 19/20 Nominee fine art
FAPA 20/21 Nominee fine art
back to gallery