Eternal discuss in the art history, the question“what is the beauty? ” is a kind of recurrence to which I do not claim to propose an answer, but an interpretation through my photographic work.
I thus took as model the park opposite from my home. Through my window, this sight will remain inked forever in my memory, so much I could contemplate it.
An edge among so much of other or landscape forsaken by our eyes. A fat tint of textures and shades of green without much interest. The revealed slides are then put into an artisanal "Petri" box so moisture can develop on the slides.
The mushrooms and other molecules produce being propagated in the gelatine of the flm, the layers of colors then will fall apart partially, amalgamate or mix, generating modelled the more or less random shapes and notable chromatic variations. Certain flamentous expansions of the foreign organizations take a macroscopic aspect and are established then in these compositions. One second life to be thus created on the flm of origin, a second medium,and in combination, becomes a single object.
Generally, one can say that art, when it is satisfied to imitate its model, cannot compete with
professional category
View from window (Series)
DESCRIPTION
AUTHOR
Born in 1988 with Paris, I have discovered photography at the Beaux-Art of Versailles where I exerted there my firsts experiences analog photographie and lab, those competences which I affirmed while leaving graduate the school EFET in 2011 when I also
learned the techniques there from photography analog and digital as well as an opening in the world of Art.
Influenced by the movement of the German New Objectivity, I design the photograph like a
cold esthetics of the reality of the everyday. I do not seek to reveal one unexpected moment or to seize a decisive fragment of life, but on th contrary to focus on this frame where only the composition of the forms, the nuances of colors and the aestheticism count. My work develops towards the topic of deterioration and the perpetual change, of the trace of the mankind , the territory and the urban landscapes. The treated set of themes, by documentary way or more plastician, is always seen with a certain photographic neutrality.
learned the techniques there from photography analog and digital as well as an opening in the world of Art.
Influenced by the movement of the German New Objectivity, I design the photograph like a
cold esthetics of the reality of the everyday. I do not seek to reveal one unexpected moment or to seize a decisive fragment of life, but on th contrary to focus on this frame where only the composition of the forms, the nuances of colors and the aestheticism count. My work develops towards the topic of deterioration and the perpetual change, of the trace of the mankind , the territory and the urban landscapes. The treated set of themes, by documentary way or more plastician, is always seen with a certain photographic neutrality.
back to gallery