Conceptual nominee

Are the feelings that I try to catch with mt shots,I'm a human observer.
There is nothing really built in the shots,the person and I, in front of the camera, we are absolutely free to do what we feel, to move freely.
I almost always use the long exposure because I can live more instincts in one, it's all enclosed in just one second.I think of my photography, a belly photograph not of technique, but I know that in this case the long exposure technique will help me greatly to recreate what I am looking for and want to see in my eyes.I always work on the human body and almost never on objects or landscapes because I feel that the human body encloses us always giving answers to all that we seek. Our body is a source of energy and communication. Every movement, posture,is always in motion, even when it is stationary, it is possible to perceive the energy that human a person rather than another. I am deeply attracted to the body. I want to get to the essence of people, I want these people looking at my photos to recognize, and they say: this is really me.

Born in Cagliari in 1986, she moved to Milan to study Visual Communications at the European Design Institute.
Then she follows a Master in Design and Production for Television, Film and Digital Media at the Catholic University of the Sacred Heart.
Now she works as a Freelance and she deals with Communication.
It is from this strong need to communicate that it is approaching photography.
Her first photographs are a series of black and white self-portraits, taken at a slow shutter speed.
With the long exposure the photographs are able to live more instincts in one, it's all enclosed in a single still image.
Her photography is a photograph of instinct not of technique, but in this case the long exposure helps to recreate what he is looking for.
It's the obsessive research of wanting to get to the purest and real essence of herself, others and the human being that push her to use photography as an extension of her feelings.
I want to get to the essence of people, I want these people looking at my photos to recognize and I want them to experience any feeling that they find themselves huddled in.