Shapes
In these artificial 3D idylls, " Everything in nature is modeled after sphere, cone and cylinder "to which it is most possible, creating the intimate intimacy of the greatest possible self-restraint by simple means. The subtle reflections of the shadows in two of these works demonstrate a playful reversal of Plato's famous cave allegory: not the primary objects of ideas are the precious and the beautiful, but the secondary shadows cast by them.
