These are images of vacant sites on Mexico’s Baja Peninsula. There, a place’s significance is measured by the emptiness surrounding it. Beyond the uninhabited space in which they exist are the vast distances of time that separates them from us. These sites have no significant history. They are not shrouded in meaning. Nor do they suffer the distraction of architectural splendor. Even the most whimsical were constructed for utility’s sake and when no longer serving a purpose, were left behind to mark a dead end—much like the memorial crosses found along Baja’s desert roads. Some of these buildings are mere whims that sprang up, lost momentum, and remain forever unfinished. Others, like cactus, flourish in damp times and suddenly go dormant in dry seasons. One draws no lesson from these buildings unless it is that shop-worn one about the folly of all human endeavor and its stubborn ability to regenerate.
Yet, looking attentively at these places, freed from their original purposes, they become a pure experience of form, texture, color, and light. And while looking, we might become aware of a primal harmony that exists beyond space and time—that exists within them and within us.
professional category
Wasteland (Series)
DESCRIPTION
AUTHOR
I would rather be a prisoner of war than an artist asked to explain myself. As a captured combatant, all I would have to give is my name, rank, and serial number.
I graduated from MCAD with a major in painting. Soon after, I abandoned painting for photography. I was attracted to photography’s craft, which disciplined my talents and restrained my passions. Photograph forced me to be more accommodating to the world as it is. I prefer to work alone and silently. Knowing I was unfit for the compromises of academia or the further compromises of selling my stuff, I made my money and my compromises in advertising. Meanwhile, I continue to produce what was most important, my pictures—compromise free.
Restraint and limitations are whetstones that sharpened my vision. I stick to one camera and one short lens. Only natural light is used and what is in front of the lens is never manipulated. Drawn to visions that are derelict and empty, I maintain that one can learn much about the human condition by the environs people leave behind.
In the end, all one needs to know about me is found in my work.
I graduated from MCAD with a major in painting. Soon after, I abandoned painting for photography. I was attracted to photography’s craft, which disciplined my talents and restrained my passions. Photograph forced me to be more accommodating to the world as it is. I prefer to work alone and silently. Knowing I was unfit for the compromises of academia or the further compromises of selling my stuff, I made my money and my compromises in advertising. Meanwhile, I continue to produce what was most important, my pictures—compromise free.
Restraint and limitations are whetstones that sharpened my vision. I stick to one camera and one short lens. Only natural light is used and what is in front of the lens is never manipulated. Drawn to visions that are derelict and empty, I maintain that one can learn much about the human condition by the environs people leave behind.
In the end, all one needs to know about me is found in my work.
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