Fine Art nominee

This piece happened as a quarantine art, my personal project during the quarantine period. What a photographer does in a period when there are no jobs, cannot collaborate with anyone else and cannot even leave the house or studio? Well my solution for this problem is a series of vegetables and fruits inspired images.

Choreography of things is one of the key principles in how I approach my work. For me every object in the image needs to dance with each other in perfectly organised harmony. There are no accidents or forgotten details, everything is arranged and planned very precisely, like a complex dance. All of my works are hand crafted, everything is real, built in front of the camera, no computer generated objects involved.

Tibor Galamb’s photographic work bridges the disciplines of design, engineering, and visual art. Drawing on his background in civil engineering, he constructs images with architectural precision — compositions defined by geometry, symmetry, and control of form. His photographs often transform everyday objects into surreal or poetic arrangements, reimagining them through minimalistic staging, sharp lighting, and a distinctly conceptual sensibility.
Galamb’s style is marked by a balance between technical perfection and playful experimentation. His still-life and product photographs frequently use clean colour palettes and sculptural arrangements to evoke tension between function and aesthetics. While his work is rooted in commercial and advertising photography, it retains an unmistakable fine-art quality, exploring ideas of order, repetition, and perception.
Through carefully built sets and meticulous post-production, Galamb creates images that appear simultaneously rational and dreamlike — precise constructions that challenge the viewer’s sense of scale, material, and meaning.