Self-portrait, 2020
I suffer from a hyper-sensitive skin condition. As a teenager, I would often attempt to cover it up; I resented being asked if I had accidentally burnt myself. Throughout the years, I have learnt to see my skin as a canvas of expression, rather than an ugly inconvenience that should be kept hidden. This photograph conveys how words that seem light may painfully mark us nonetheless.
professional category
The Weight of Your Words (Single)
DESCRIPTION
AUTHOR
Iness Rychlik is a Polish-born photographer and filmmaker with a particular interest in historical drama. Despite her severe myopia, she has been dedicated to visual storytelling for over a decade.
Iness graduated with First Class Honours in Film from Screen Academy Scotland. Set in Victorian London, her final-year film ‘The Dark Box’ follows an unhappily married woman, who pursues photography to escape from her oppressive relationship. ‘The Dark Box’ premiered at Camerimage, where Iness received a Golden Tadpole nomination for her cinematography. Most recently, she shot and directed two mini-documentaries about art for the BBC Scotland.
Rychlik is recognised for her dark feminine erotica, which has been awarded and exhibited all around the world. She is fascinated by the idea of conveying sexuality and cruelty in a subtle evocative way. Her conceptual self-portraits provoke the viewer’s imagination, rather than satisfy it.
Iness graduated with First Class Honours in Film from Screen Academy Scotland. Set in Victorian London, her final-year film ‘The Dark Box’ follows an unhappily married woman, who pursues photography to escape from her oppressive relationship. ‘The Dark Box’ premiered at Camerimage, where Iness received a Golden Tadpole nomination for her cinematography. Most recently, she shot and directed two mini-documentaries about art for the BBC Scotland.
Rychlik is recognised for her dark feminine erotica, which has been awarded and exhibited all around the world. She is fascinated by the idea of conveying sexuality and cruelty in a subtle evocative way. Her conceptual self-portraits provoke the viewer’s imagination, rather than satisfy it.
back to gallery