After Los Angeles went into lockdown in March 2020, I began following midwives as they navigated new protocols caused by the Covid-19 pandemic. The midwives’ phones rang endlessly with calls from terrified women hoping to deliver safely in their own homes. With hospitals flooded with sick patients and many banning partners from the delivery room, the possibility of going through childbirth without a mask and in a familiar setting seemed, to these women, like the only option.
At a time marked by separation and death, these stories of connection and care feel especially healing. Childbearing and the work of midwives is not well documented; the realities of childbirth are still taboo. This project presents individuals’ labor stories in an unflinching way. At a time when a difficult process is made even harder, the need to be honest about childbirth and our own bodies seems even more important. Each one of these stories is unique and it's crucial to this project to present a diversity of mothers and birth workers, and not just a whitewashed version. This pandemic has disproportionately affected women, and this project illuminates some of the burdens they must bear.
professional category
Extreme Pain, but Also Extreme Joy (Series)
DESCRIPTION
AUTHOR
Maggie Shannon is a photographer specializing in portrait and documentary work. Hailing from Martha's Vineyard, she received her MFA from the School of Visual Arts and is now based in Los Angeles, California. Maggie was selected as a 2018 PDN emerging photographer and has been recognized as part of Magnum's 30 under 30. She is a member of Women Photograph and her work has appeared in American Photography 35 and 36. Maggie works as freelance photographer for the New York Times, Wall Street Journal, the Washington Post, GQ, Wired, Bloomberg Businessweek, New Yorker and T Magazine among others.
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