Photomanipulation nominee

Neither runs, neither flies,

but it always precedes you

when you go, or when you arrive.

ɹooꓷ ǝɥꓕ

The Exit is part of the "Rooms of Mind" series, a collection of self-portraits that explore the intimacy of the mind through some of its processes, such as: thought, memory, reasoning, decision-making, imagination, and perception.

Everyone usually asks me the same question, how did the character get in, can she get out?. Assuming that the only exit is the visible one, without realizing that the sight of the spectator could well be the door through which our character could exit, but this is just one of my many perceptions when making this piece, it's just my reasoning.

Diana's work presents visual poetry, which seeks to shape the thought, human fragility, and its nature through surreal representations that are often an open question that makes you look at more than once.

Her greatest passion is telling stories in order not only to satisfy herself but to show others a part of themselves, through universal emotions and mysterious metaphors that fill the gap between visible reality and imaginary vision.