“We’ve Become Like Strangers” is a long-term photography project that excavates our fractured – occasionally desolate – post-pandemic world.
Thematically, this collection began as an attempt to address the broader political divisions that exist both globally and domestically. However, these photographs have since transcended their initial, intellectual aim in favor of a more emotional one: my explorative desire for catharsis.
When examining the body of work I’ve created thus far, there’s a clear throughline directed toward the seemingly forgotten spaces that have remained untouched by modernity. Indeed, my portraits of the strangers I’ve met in these locations are similarly untouched, yet anchored by a yearning for commonality and community.
Perhaps fittingly, this tension between isolation and connection has awakened an elusive, creative freedom. The childlike act of wandering in search of powerful images, untethered to the noise and weight of everyday anxiety, has become both healing and generative.
The result is a transportive, even blissful, sense of curiosity that permeates the work as well as the act of making it. This ongoing observational prac
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DESCRIPTION
AUTHOR
Brandon Sheer is a film photographer from New York City who resides in London.
With an abundance of newly acquired time during the lockdown, Brandon sought personal and creative introspection. For much of his life, he identified as a musician, a title Sheer adorned like a medallion and a self-imposed label that felt almost interchangeable with his first name. With the near collapse of the music industry in 2020, he began to long for another means of artistic expression.
After buying a cheap point-and-shoot film camera on eBay, it quickly became Sheer’s take-everywhere companion. 35mm was Brandon’s analog gateway drug that has since led to following in the footsteps of great American road trip photographers such as Walker Evans, Stephen Shore, Joel Sternfeld, and Alec Soth, and opting to use an 8x10 view camera. Sheer’s work evokes a sense of melancholia and isolation while attempting to find connection and commonality among strangers he encounters during his travels.
Brandon Sheer is completing his master's degree at The Royal College of Art and is working on an ongoing work entitled “We’ve Become Like Strangers”.
With an abundance of newly acquired time during the lockdown, Brandon sought personal and creative introspection. For much of his life, he identified as a musician, a title Sheer adorned like a medallion and a self-imposed label that felt almost interchangeable with his first name. With the near collapse of the music industry in 2020, he began to long for another means of artistic expression.
After buying a cheap point-and-shoot film camera on eBay, it quickly became Sheer’s take-everywhere companion. 35mm was Brandon’s analog gateway drug that has since led to following in the footsteps of great American road trip photographers such as Walker Evans, Stephen Shore, Joel Sternfeld, and Alec Soth, and opting to use an 8x10 view camera. Sheer’s work evokes a sense of melancholia and isolation while attempting to find connection and commonality among strangers he encounters during his travels.
Brandon Sheer is completing his master's degree at The Royal College of Art and is working on an ongoing work entitled “We’ve Become Like Strangers”.
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