Photomanipulation 3rd place winner

Some kind of émotions form an aggregate of muffled impulses, penetrating the flesh of the soul in a strangely silent cry.
Imagine mental theatre stage where a woman casts her most beautiful shadows: deep and silky, displaying all the reflections of her heartbreaking melancholy.Fractured materials, depigmented sets, suffering floors and air, wounds and lacerations of the elements that furnish these places. Syllables, words, verbs are transformed into looks, postures and gestures, revealing an emotional violence that can only be held back just enough...

Amoregrafia is photographic approach to self-representation, where the truth is composed of lines and contrasts.

In another life I was an harpist - before my eyes decided to take a very slippery slope, almost losing them - studied and played with the great harpist Elisabeth Fontan-Binoche.

Actually I'm full of things: woman, mother, well-behaved administrative employee and... artist and author-photographer.

100% Self-taught in photography, I’m above all an assiduous self-portraitist. I work on very intimate themes, linked to my past experiences, my deep emotions.
My photo studio? I don't have any one and only work in abandoned places. I draw inspiration from the moment and compose with it. Thus, I can tell a unique story for each photograph hung and attach a creative context that only existed at the time of the photo shoot. Deeply solitary, these places cut me off from everything.
My visual fragility is an important component of my work. Deeply myopic, removing my visual correction during the shots creates a feeling of slack in my perception of space : reduced to the study of my photographic « other ».

Since 2017, I have been regulary exhibited (Cities of Menton and Nice, artists's workshops, festivals of photography), published and rewarded A self-published monograph from my previous series, ‘Errances Hypnagogiques’, sold 300 copies.