Guido Klumpe
Cloudy day (Series)
DESCRIPTION
In each picture of this series clouds play an important role. Sometimes it is a leading role, sometimes they are extras in the background. Sometimes they stand for themselves, or go in relation to other parts of the picture.
But in every picture they help to grasp the dimensions of what is shown, help to solve riddles or bring life to graphic forms.
And they reveal: The photographer loves clouds and their uniqueness as well as ephemerality.
German photographer Guido Klumpe’s work includes abstract, minimalist, and street photography. Born with a severe congenital visual impairment, he perceives the world differently.
Guido sees cities as urban landscapes, landscapes consisting of shapes, colors, light and reflections. He uses perspective, a particular point of view, and the poetry of chance in the old tradition of street photography, to create his compositions. This way, he creates a “stage” in which passers-by act as protagonists. His work highlights the mystery and absurdity of urban spaces while simultaneously revealing its hidden beauty.
In his work, he investigates how we perceive dimensionality and is particularly interested in the moment of transition, when by reducing the optical reference points, three-dimensional architecture dissolves into a two-dimensional plane, lending
AUTHOR
Guido Klumpe
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German photographer Guido Klumpe’s work includes abstract, minimalist, and street photography. Born with a severe congenital visual impairment, he perceives the world differently.
Guido sees cities as urban landscapes, landscapes consisting of shapes, colors, light and reflections. He uses perspective, a particular point of view, and the poetry of chance in the old tradition of street photography, to create his compositions. This way, he creates a “stage” in which passers-by act as protagonists. His work highlights the mystery and absurdity of urban spaces while simultaneously revealing its hidden beauty.
In his work, he investigates how we perceive dimensionality and is particularly interested in the moment of transition, when by reducing the optical reference points, three-dimensional architecture dissolves into a two-dimensional plane, lending many of his images an almost painterly quality. Considerations that arise during this process include the importance of information that helps establish a distinction between the foreground and background, and the type and number of objects involved.
Guido’s work has won numerous international awards, has been widely published, and is included in many solo and group exhibitions throughout Europe.
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