"Cartography of the Migrant Being" is a project that addresses the experiences of migrant women from a feminist and social justice perspective. This series of fourteen black-and-white photographs explores the body as a vessel of memory and resistance, employing symbolic elements and textures to bridge the individual and the collective. The visual narrative seeks not only to document but also to reflect on invisible stories, creating a space for remembrance and transformation.
The project is framed within the current context of migratory movements and global inequalities, examining the impact of these dynamics on the lives of migrant women. Each image serves as a tribute to their strength and resilience, inviting the viewer to reflect on their realities and challenge dominant narratives.
Judith Butler (1956, Cleveland) states that the body is not merely an object of representation but also a political subject that challenges and redefines norms, serving as a site of resistance against structures seeking to discipline it. Cartography of the Migrant Being adopts this perspective, emphasizing the resilience of migrant women in the face of physical, emotional, and social barriers.
Through the textures and gestures of the body depicted in the images, the series not only represents these stories but also activates a critical reflection on the structural inequalities that perpetuate such experiences. As Butler asserts, the representation of the body carries the potential to open new avenues for agency and reshape collective memory. This idea comes to life here, integrating the visual narrative into an ongoing dialogue with the archive as both a political and cultural tool.
amateur category
Cartography of the Migrant Being (Series)
DESCRIPTION
AUTHOR
I am María Lasa (1981, Spain), a Fine Arts student with a narrative and conceptual approach to photography. Although my academic journey in photography began in 2023, my connection with art traces back to 2005, when I started exploring creative expression through other visual mediums.
My photographic work revolves around themes that deeply resonate with me: social justice, spirituality, and the human condition. Through my images, I aim to capture not only what is seen but also what is felt—the invisible tensions, the weight of silence, and the stories embedded in bodies and spaces. I draw inspiration from artists such as Gregory Crewdson, Robert Mapplethorpe, Andreas Gursky, Tracy Warr, and Ansel Adams, whose mastery of light and composition has profoundly shaped my artistic vision.
In my latest project, "Cartography of the Migrant Being," I explore the experiences of migrant women from a feminist and social justice perspective. This series stems from the belief that "no one migrates out of desire; there are heavy reasons and deep suffering along the way."
My photographic work revolves around themes that deeply resonate with me: social justice, spirituality, and the human condition. Through my images, I aim to capture not only what is seen but also what is felt—the invisible tensions, the weight of silence, and the stories embedded in bodies and spaces. I draw inspiration from artists such as Gregory Crewdson, Robert Mapplethorpe, Andreas Gursky, Tracy Warr, and Ansel Adams, whose mastery of light and composition has profoundly shaped my artistic vision.
In my latest project, "Cartography of the Migrant Being," I explore the experiences of migrant women from a feminist and social justice perspective. This series stems from the belief that "no one migrates out of desire; there are heavy reasons and deep suffering along the way."
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