The Touch / Untouched series is an attempt to capture the paradox of touch—an experience that both connects and separates, that leaves a trace yet ultimately escapes recording. Touch is the most primal of the senses, the first language of the body, a memory inscribed in the skin, in muscular tension, in breath.
The works presented do not depict touch in a literal way. Instead, they operate through abstract form, rhythm, surface tension, and the relationship between matter and emptiness. Structures, tonal transitions, and organic shapes become visual equivalents of impulses—the trace of pressure, vibration, or a presence that is either fading or just beginning to emerge.
The duality expressed in the title, Touch / Untouched, refers to a threshold: between what has been disturbed and what remains intact; between the memory of an experience and its elusiveness. Within this space, the image emerges—as a record of a process, but also as a field of silence in which the viewer may rediscover their own experiences of touch: physical, emotional, or even metaphorical.
The series can be read as a reflection on the presence of the body in the world—its sensitivity, fragility, and its capacity to feel. Here, touch becomes not
