My grandmother witnessed the murder of her baby sister in WWII Poland.
This trauma was transmitted in an untold way through my mother to me.
I got aware of it when I became myself a mother.
I do not represent war. Instead I decided to portray a young girl.
As my grandmother was when she experienced the pain, as I was when I got in touch
of my mother’s pain, a young girl also representing my daughter.
Past, present, future, intertwine and coexist in one body.
Grandmother, mother and daughter all incarnated in one body.
Individual, ancestral and collective pain, expressing through her body.
I believe in the importance of becoming aware of what has happened in order to heal individually and then to recover the potential to consciously shift the collective inclinations.
Children of the golden Sun is documenting this inner process of slowly becoming aware
of what remained hidden.
Like an archeologist, witnessing each layer.
Confronting inner violence, trying to find back what has been broken.
Which part of love has been broken.
What lays underneath.
Nature leading the way.
Nature that hold it all.
Where the sun illuminates with truth, the sea facilitates the process of change.
