“Over the Rainbow” is a photographic series that uses vibrant colors and playful, offbeat compositions to depict young people interacting with food. At first glance, the images appear joyful, lighthearted, and rooted in pop culture aesthetics: saturated tones, exaggerated gestures, and visually enticing arrangements. This initial sense of sweetness and carefree energy is intentional, designed to attract and delight the viewer.
Beneath this cheerful veneer, however, the series explores a more unsettling reality. The excessive, sometimes absurd staging reveals underlying tensions tied to contemporary youth culture. Themes such as hyper-consumption, social pressure, performative identity, and the relentless demand for visibility subtly permeate the images. Food, presented as both festive and enticing, becomes a symbol of desire, control, indulgence, and the emotional complexities surrounding it. The brightness of the photographs serves as a thin mask, barely hiding a deeper unease and the fragile balance young people must navigate.
By creating a contrast between surface exuberance and hidden discomfort, the project encourages viewers to look beyond appearances. It invites reflection on how bodies, pleasures, and identities are shaped within an overstimulated and image-saturated world. Ultimately, “Over the Rainbow” exposes how cheerful façades often conceal instability, vulnerability, and the pressures that define contemporary
amateur category
Over the rainbow (Series)
DESCRIPTION
AUTHOR
I was born in 1979 and experienced a nomadic childhood. My sister was born in Chad, my brother in Morocco, and I myself in Cameroon. These multicultural beginnings awakened in me a taste for discovery, encounters, and the unexpected, nourishing both my imagination and my passion for storytelling.
I now live and work in Paris.
As a self-taught photographer, I use the medium to explore emotions, the unconscious, and subjects that are, by nature, elusive. My work does not seek to deliver a strict representation of reality, but rather to suggest what lies beneath the visible: the poetic, the metaphorical, the mysterious.
Experimentation lies at the heart of my practice, which could be described as that of a “visual artist.” I often feel compelled to introduce physical éléments (embroidery, cardboard, ink) as a way of lending greater materiality to works whose very subjects remain intangible.
My photographs have been exhibited internationally. In 2025, I was named Discovery of the year at the IPA International Photography Awards. I am also a finalist for the QPN Quinzaine Photographique de Nantes Prize.
I now live and work in Paris.
As a self-taught photographer, I use the medium to explore emotions, the unconscious, and subjects that are, by nature, elusive. My work does not seek to deliver a strict representation of reality, but rather to suggest what lies beneath the visible: the poetic, the metaphorical, the mysterious.
Experimentation lies at the heart of my practice, which could be described as that of a “visual artist.” I often feel compelled to introduce physical éléments (embroidery, cardboard, ink) as a way of lending greater materiality to works whose very subjects remain intangible.
My photographs have been exhibited internationally. In 2025, I was named Discovery of the year at the IPA International Photography Awards. I am also a finalist for the QPN Quinzaine Photographique de Nantes Prize.
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