This color medium format series reimagines the historical idea of the Wunderkammer, or cabinet of curiosities — a space where objects once served as instruments of wonder, knowledge, and power. Each photograph depicts a precisely arranged still life composed of rare, eclectic artifacts collected from private European interiors.
The project examines how value and meaning are constructed through display. By isolating these objects from their functional or sentimental contexts, the compositions invite reflection on the human impulse to possess, classify, and aestheticize the world. The camera becomes both a tool of preservation and transformation: textures of metal, stone, glass, and bone are rendered with sculptural clarity and painterly light.
Working with color medium format film allows for a slow, deliberate process that mirrors the contemplative nature of collecting itself. The resulting images oscillate between documentation and illusion, balancing precision with mystery.
Wunderkammer is ultimately a meditation on the boundaries between art and artifact, chaos and order, fascination and control. It seeks to reawaken the sense of curiosity and reverence that once animated the original cabinets — a visual taxonomy of desire and time.
professional category
Wunderkammer (Series)
DESCRIPTION
AUTHOR
Daria Troitskaia is a photographer from Saint Petersburg, currently based in Milan.
Working primarily with film and medium format, she explores the boundaries between stillness
and movement, presence and memory. Her long-term work includes photographing ballet and
performance on black-and-white film, where she searches for the silent moments of grace behind
discipline and repetition.
Her recent project Wunderkammer, created in collaboration with art historian and collector Maria
Goncharova, continues this exploration through objects. The series of still lifes with rare antiques
reinterprets the tradition of the cabinet of curiosities, transforming historical artifacts into portraits
of time and fragility.
Educated in graphic design, Daria brings a precise, compositional approach to photography while
maintaining an intuitive, tactile relationship with light and material. Her practice bridges fine art
and documentary sensibility, guided by curiosity, restraint, and a quiet reverence for form.
Working primarily with film and medium format, she explores the boundaries between stillness
and movement, presence and memory. Her long-term work includes photographing ballet and
performance on black-and-white film, where she searches for the silent moments of grace behind
discipline and repetition.
Her recent project Wunderkammer, created in collaboration with art historian and collector Maria
Goncharova, continues this exploration through objects. The series of still lifes with rare antiques
reinterprets the tradition of the cabinet of curiosities, transforming historical artifacts into portraits
of time and fragility.
Educated in graphic design, Daria brings a precise, compositional approach to photography while
maintaining an intuitive, tactile relationship with light and material. Her practice bridges fine art
and documentary sensibility, guided by curiosity, restraint, and a quiet reverence for form.
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