Shooting kiteboarding at night in Brazil is both a dream and a challenge. This region is one of the few places in the world where the wind stays strong around sunset, giving me a rare window to create dramatic images during the golden and blue hours. To bring these scenes to life, I rely on powerful battery-powered strobes mounted on floating platforms to sculpt the riders against the darkening sky. With the added light, the session transforms into something cinematic. The spray, the kite, the rider—every element glows and takes on an almost surreal quality.
But for these shots to truly work, it’s not just about the gear—it’s about trust and communication. The riders and I need to be perfectly in sync. They must execute their trick in exactly the right spot in relation to me and the strobes, which requires precision and a shared understanding of timing and space. It becomes a dialogue between photographer and athlete, where every move and adjustment counts.
What makes it even more special is that I get to collaborate with some of the best kiteboarders on the planet, pushing limits as the sun dips below the dunes.
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My interest in photography began during a time I was also really into mountain biking. So I was mainly shooting the landscape of the places I got to go on my bike. Since biking is a sport that teaches you the importance of waking up early, I’ve also learnt to appreciate the beauty of that early morning light.
Since I’ve always been into sports it was a natural step to start shooting my friends doing sports. I quickly noticed that shooting during “the golden hour” led to shots I liked more. But then I started shooting sports like skateboarding and it’s very hard to talk skateboarders into walking up at 5am to get that good light. That was when I started studying artificial light.
Nowadays I travel with a pretty big amount of gear and place flashes where I probably shouldn’t be placing.
45 Covers, more than 400 published shots
Gold Medal at 2018 Brasilia Photo Show
2º place at 2018 Chromatic Awards
Honorable Mention at 2018 Chromatic Awards
Short Selection at 2018 Paraty em Foco
2º place at 2017 Rio Photo Festival
Since I’ve always been into sports it was a natural step to start shooting my friends doing sports. I quickly noticed that shooting during “the golden hour” led to shots I liked more. But then I started shooting sports like skateboarding and it’s very hard to talk skateboarders into walking up at 5am to get that good light. That was when I started studying artificial light.
Nowadays I travel with a pretty big amount of gear and place flashes where I probably shouldn’t be placing.
45 Covers, more than 400 published shots
Gold Medal at 2018 Brasilia Photo Show
2º place at 2018 Chromatic Awards
Honorable Mention at 2018 Chromatic Awards
Short Selection at 2018 Paraty em Foco
2º place at 2017 Rio Photo Festival
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