They are part of a tradition that has been passed down from mother to daughter for 100’s of years. They are the Korean mermaids, or the haenyeo, of Jeju Island who venture into frigid depths of up to 20 meters without any breathing equipment, braving the dangers of the ocean, as they scour the seabed for food.
The haenyeo believe we do not inherit the earth from our ancestors, but that we borrow it from our children. Fierce guardians of the sea, they only harvest what they can carry with their two hands, but sadly they are a dying breed. The quality of the ocean is deteriorating rapidly, and despite protests, the construction of a new naval base is under way, which further threatens the island’s marine ecology.
These sirens hang weightless, deep in the ocean, on the threshold between this world and the next. They are a vessel for stories that span generations, timeless stories that tell of suffering and survival, but most of all, love. In the end, what rises to the surface is the unflinching love they carry for the sea and the legacy that that we are leaving for our children.
professional category
Flowers for Jeju : The Last Mermaids (Series)
DESCRIPTION
AUTHOR
Underwater Photographer, Zena Holloway, shoots fine art, editorial, celebrities, sport, fashion and lifestyle imagery. Her work deviates from the stereotypical directness associated with underwater photography, as she strives to push the boundaries of her imagination and the limits of creativity. Over the years she has gathered awards from international photography competitions including the AOP, APPLIED ARTS, COMM ARTS, RPS, PDN, CANNES and IPA. Her work is exhibited widely.
Water is my medium, an unpredictable, bewitching environment where I can throw out the rulebook of the atmosphere we usually inhabit and just observe. My images illuminate the space between myth and reality. On the one side, our seas and oceans are powerful symbols from folklore and fairy tale, places of enchantment but also mystery and danger. On the other, water is an eternally present and powerful truth, nourishing, sustaining and commanding our respect. Somewhere in between is a world of imagination that I am inspired to bring to life, in the process asking questions about ourselves, our relationship with water and our responsibilities to the natural environment.
Water is my medium, an unpredictable, bewitching environment where I can throw out the rulebook of the atmosphere we usually inhabit and just observe. My images illuminate the space between myth and reality. On the one side, our seas and oceans are powerful symbols from folklore and fairy tale, places of enchantment but also mystery and danger. On the other, water is an eternally present and powerful truth, nourishing, sustaining and commanding our respect. Somewhere in between is a world of imagination that I am inspired to bring to life, in the process asking questions about ourselves, our relationship with water and our responsibilities to the natural environment.
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