Disciplinary mechanisms
The starting point of the project is the notion of innocence.
Artwork inspired by the concept is multi-dimensional. Firstly, by analyzing the shape and material of hunting gear, it examines the oppressiveness of environment geometrization. Secondly, it looks at the analogy between hunting and photography – between fire arms and a camera, appropriating through firing a shot and capturing within a frame, pulling the trigger and pushing the shutter release button, between the moment of entrapping and recording. The aim of the project is to portray disciplinary mechanisms, the structure of disciplinary forms and supervision processes in a well-balanced, non-judgmental point of view.
In the context of the presented works, the term mechanism should be interpreted in two ways – either as a structure mechanism which leads directly to real subjection or as a device mechanism that creates a subconscious, hierarchical relationship between the observer and the observed. An example of a structure mechanism is a live trap, whereas a GPS collar is an example of a device mechanism.
By comparing individual devices according to their size, shape, material and modus operandi, the project poses the question about the limits of interference in freedom.
professional category
Disciplinary mechanisms (Series)
DESCRIPTION
AUTHOR
AGNIESZKA MASTALERZ- graduate of American Studies Center at the University of Warsaw, student of Faculty of Media Arts at the Academy of Fine Arts in Warsaw. In the academic year 2014/2015 and 2016/2017 she was awarded a scholarship for the best students of the Academy and in 2016 she received a grant from the Capital City of Warsaw. Her diploma project "Disciplinary mechanisms" has received the Chancellor’s first award. She participated in several group shows, i.a. "Nieobecność" (Labirynt Gallery, Lublin, 2016), "Recognition" (Ney Gallery and Prints, Warsaw, 2016); as well as individual, i.a. "Gentile creature" (Mała Czarna Gallery, Łódź, 2015). In 2016 she took part in the 6th edition of Otwock Studio "S1_92537". Her works were published i.a. in MONO quarterly, Fresh From Poland website, and Woof Woof Arf Arf magazine.
At the Academy she a ends Mirosław Bałka’s Studio of Spacial Activities, Ph.D. Prot Jarnuszkiewisz’s Narrative Photography Studio, as well as Grzegorz Kowalski’s Kowalnia. She also works in a graphic studio in Warsaw. Her goal for next year is to become an Erasmus+ Programme student at HFBK - the University of Fine Arts in Hamburg.
At the Academy she a ends Mirosław Bałka’s Studio of Spacial Activities, Ph.D. Prot Jarnuszkiewisz’s Narrative Photography Studio, as well as Grzegorz Kowalski’s Kowalnia. She also works in a graphic studio in Warsaw. Her goal for next year is to become an Erasmus+ Programme student at HFBK - the University of Fine Arts in Hamburg.
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